![]() It's also one of the few consumer cameras that can record video from a 14-bit readout, meaning you'll get a wider dynamic and tonal range. It's an incredibly capable camera, with a 26-megapixel stacked sensor that keeps rolling shutter to a minimum and supports 6.2k open gate recording. ![]() The Fujifilm X-H2S is one of the best hybrid cameras in its price range for up-and-coming videographers. ![]() We've bought and tested over 95 cameras in our lab, and below, you'll find our recommendations for the best hybrid cameras for aspiring filmmakers and videographers to buy. If you're looking for a simpler, more affordable camera to create videos for online media platforms, check out our recommendations for the best cameras for YouTube. Otherwise, see our list of the best 4k cameras for the best 4k-capable cameras we've tested or our best cameras overall. Note also that your chosen lens will significantly affect your camera's performance, including its stabilization and autofocus performance. We don't currently test cinema cameras, and because dedicated cinema cameras run the gamut from affordable prosumer models to astronomically expensive professional models, this article focuses primarily on consumer stills and hybrid cameras with advanced video features for those looking to get started shooting films. Of course, budget and ergonomic preferences also play a big role in determining which camera is best for you. Generally speaking, when looking for a filmmaking camera, you should consider the camera's video resolution and frame rate options, whether or not it has in-body image stabilization (IBIS), and design features like dual memory card slots and ports to attach peripherals like microphones or external recorders. In fact, consumer stills and hybrid cameras are becoming increasingly capable video cameras, with many supporting internal 10-bit recording and a wide range of recording formats, codecs, and picture profiles. There’s built in WiFi and NFC, as well as a headphone jack and external microphone input.Investing in a mirrorless or DSLR camera is an increasingly viable option for amateur filmmakers who want to produce high-quality videos without spending a fortune on professional video gear. The touchscreen is responsive and easy to see, while physical buttons are numerous and clearly labeled for simple use. People wanting to record anything longer than that will have to record manually after that time limit.īeyond that, the 80D is well-constructed and easy to hold. The camera can capture 1080/60p video, but like other Canon cameras, continuous video filming stops at 29 minutes and 59 seconds. ![]() I'm including the 80D here despite of that, because of its price point and solid video abilities otherwise. One feature that is noticeably missing is 4K capability, which may irk some buyers. The Dual Pixel CMOS AF makes autofocus a breeze and removes much of the confusion from video capture. The 80D has robust video features that make it an excellent choice as a hybrid camera. I should also note that Canon has announced a successor to the 80D, called (wait for it) the 90D, but the older camera’s feature set is still competitive, especially for amateur or home photographers. The EOS 80D is both less expensive and a bit older than the EOS 5D Mark IV above, but it’s still worth a look for people wanting a capable camera without pro-level complication or pricing. There’s also a touchscreen, on-board WiFi, near-field communication (NFC), and GPS. Though it looks an awful lot like the Mark III that preceded it, Canon added improved the Mark IV’s weather sealing to make it better-suited for outdoor use in most conditions. The camera’s construction is solid, and its heft is backed up with actual durability. The images end up being twice as large, but the feature allows users to add effects like bokeh and to micro-adjust portions of the photos. It works by snapping two 30-megapixel images, one from both “sides” of each pixel. On the photo side, the Mark IV has a new feature that Canon calls Dual Pixel Raw. The camera also offers the ability to capture 4K video frame grabs to take photos from the video feed. The Mark IV is able to capture video in 4K at either 24 or 30p, and all video is stored as motion JPEG. As an evolution to the popular and very capable Mark III, the newer Canon EOS 5D Mark IV improves on its predecessor in nearly every way, and the good news is that both cameras offer impressive video performance in addition to their wide array of photo capabilities.
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